VOLUME SIX (2020): ARCHIVES ON FIRE
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2020
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April
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- * * * VOLUME SIX (2020): ARCHIVES ON FIRE * * *
- * * * INTRODUCTION * * *
- W. Scott Howard, "Archival Quanta"
- * * * PARTICLE * * *
- J.C. Alcalá, "Archival Ethnographies"
- K. Crowe & N. Joseph, "Reconstructing History"
- Ashley Hall, "Archiving Academic Tweets"
- Alison Turner, "Chinese Immigration & Exclusion"
- Jennifer Ware, "Aural Object Contexts"
- Henry Warwick, "Personal Portable Libraries"
- * * * WAVE * * *
- Erin R. Anderson, "Reanimating the Archive"
- Lauren Benke, "Gesture, Intimacy, and Violence"
- K. Crowe & M. Cummins, "Archive Book Arts"
- Jaime Groetsema, "In Media Res"
- Julia Madsen, "Reframing Place & Labor History"
- T.L. Hardin, P.M. Farber, G.L. Johnson, "Alchemy"
- * * * GALLERY * * *
- Brian Bates, "Graphic and Digital Keats"
- Jessica Comola, "The St. Joseph Embroidery"
- Rafael Fajardo, "Code Drawings in Hopscotch"
- Brandon S. Gellis, "Nature & Spirit"
- Scott B. Montgomery, "Making the Posters Dance"
- * * * FIELD * * *
- Michelle Caswell, "Archive Not An Archives"
- Stephan Delbos, "Deterritorializing the Archive"
- Jenny Filipetti, "The Perpetual Archive"
- M. Griffith & V. Mayer, "MediaNOLA on Fire"
- B. Ouvry-Vial & Y. Estève, "Archimorphosis"
- Simon Sigley, "Programming (Bi)Cultural Memory"
- Eira Tansey, "Archives Without Archivists"
- * * * VOLUME SIX (2020): ARCHIVES ON FIRE * * *
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April
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Showing posts with label Figuration. Show all posts
Showing posts with label Figuration. Show all posts
Wednesday, December 28, 2011
John Bennett, Two Poems
John Bennett
FasT or H
PopocA
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John M. Bennett’s most recent books include SUMO MI TOSIS (White Sky Books), THE GNAT'S WINDOW (Luna Bisonte Prods), CORRESPONDENCE 1979-1983 (with Davi Det Hompson; Luna Bisonte Prods), EL HUMO LETRADO (White Sky Books), RESPIROPATIAS (with Juan Angel Italiano; Edicionesdelcementerio), FIVE PERFORMANCE SCORES (Fluxpress), TORPEZA CON TORPEZA (Sechisland), NITLATOA (Luna Bisonte Prods), LAS CABEZAS MAYAS (Luna Bisonte Prods), and TEXTIS GLOBBOLALICUS, vols 1, 2, 3 (mOnocle-Lash Anti-Press).
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume 5 (2011): Disappearance
Mark DuCharme, "The Unfinished"
Mark DuCharme
The Unfinished
The ghost-buildings are still here
We don’t know a way to address them
They stare at us yes really stare
They will never go away
To go away, at the onset of speech
To stare with ghost-window-eyes
To be truly naked in the telling
Or speak, at the onset of being dreamed
If you dream. If you speak. If you
Enter ghost-space (language is a ghost)
The space of the story that you weave
To enter or depart
Depart in hunger of words apparitionally
In economies of having been seen
Depart in violent day-rhythm lurking
While mislaying the proportions of the shadows of the bees
The Unfinished
The scar is what we imagine it
To be. The light goes scarcely
Through wind. When you sear
Or scare, you can disappear
Into wind in a parallel
Motion to its
Trace. The plan is to seed
In bloom of thought
Embedded. That’s not true; you are
Embodied, &
The thought is you. Appear then
In necessities of sight, &
Move as love, into darkening light.
Mark DuCharme’s newest book of poetry is Answer (BlazeVOX, 2011). His previous print books include The Sensory Cabinet (BlazeVOX, 2007), Infinity Subsections (Meeting Eyes Bindery, 2004) and Cosmopolitan Tremble (Pavement Saw, 2002). The Found Titles Project was published electronically in 2009 by Ahadada (www.ahadadabooks.com). The latest of his many chapbooks is The Crowd Poems (Potato Clock Editions, 2007). In 2008 he began a writing project called The Unfinished, parts of which have appeared in Blue & Yellow Dog, Colorado Review, Eleven Eleven, Eratio, New American Writing, Poets for Living Waters, Or, Otoliths, Pinstripe Fedora, Raft and Word for/Word. He lives, works in and teaches near Boulder, Colorado, and has recently launched a Web site: http://mark-ducharme.com/
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume 5 (2011): Disappearance
Vernon Frazer, Three Poems
Vernon Frazer
Bearing the Barely Spoken at Length
Happy Campers at Work on Play
Meaning Baskets in Heat
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Vernon Frazer: “Listening to and playing Jazz has influenced my work as much as studying literature. A musical as well as linguistic sensibility guides me when I place words and shapes on the page. Improvisation employs a different method of exposition from conventional writing, so ‘meanings’ emerge through methods [quite] different from those used in writing an essay. When in doubt, follow the music.”
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume 5 (2011): Disappearance
Dan Thomas-Glass, “Dunkalectics”
Dan Thomas-Glass
Dunkalectics
crunch-time hurts samples
going head 4 ball
playoff games mysteriously disappear from Chinese television
Paul worked
clock leaped
field dished
Jack
paint nailed exploded
Superman disappear
haul jumper
crunch years shots
superstar doubles superstars
better
ol’ broken ditched man
marks crunch
Score guy
depth disappears
crunch
pass Imagine passive
Manhood kicked
line idea
seldom slightly-above-average
yeah
guy ball blatantly
shoot hard
mildly better
slow win
break system
owners line muscle mirrors
terrible illusions
looking destroying working feeling recurring
Magic disappears
Dunkalectics
penned suit
quote Profit
score money delusion money
buy
buy
money crunch
choke Russell
crying
accept accept accept
darn
inspire video zone radio TV
drunk
wrist Bonner
competition performed
peek constant hands gasping
Sometimes quoted Love
scoring fears ineptitude
hard pressure shove
Lewis disappear
come constitutional instinct
stat maddening deal
flowery rhymes
story Dominate swore tape
written stacks MVP
clincher
crying beat girth
flexed giant forever
mighty ignored
stretching Spectator green game machine
liar age
Whopper Stories promise antsy
first silent tape
intentions attitude contract
writes trouble
fouls disguise
superior stint attack
doubled poor-scoring
overcome flow
Meltdown Disappear
bigger outside-in bench
wings sacrificing shooting compared minutes stuff assists
singled detriment super-scorer touches Bulls
tempo pass/shoot kick-outs gym penetrate
muscled positioned improvisation
cameras loss heated verbal jawing
stop stop stopping
funny guys express doing team scream
doing laugh action
endless intrigue made-for-Hollywood
Paul soft marginal rest
stunning imprint
minded injured
to not disappear
now swollen injured suckered glistening
knocking minutes literally
leading built beauty air
winning time
injure hiding seriously
blowing liability
hurting damage
feels line
deal greatness pain
things played
cry letters
slow anybody
younger critics
three victory shot heads
How to Disappear Completely
performance victory size
control Center must best-of-seven
best-of-seven backs forward
push breathtaking flirted run
stretch victory
taut blowout
dished thuggery
happy staff
Bad-footed stubborn sweaty followers
investigate disappearance
perplexed going sag
come
looked guided
first happier watches growth
might disappear
passion phenomenal
Bob blowing player
pulled crazy night
cool
franchise desperately Brawl
Company map
love restrained handshakes
dirty cheap expletives
ejected dirty caught ejected throat Bulls
struggling ropes
jaw have must have stupid
lose hummingbirds
blown suffered record fail back
guys body capable
capable bipolar pretty
final cruise scored positive
loss wrap show blueprint
teams Heat way silly times
home creaky jacked
hard
do tricky
bring walk return
confronted
flash seed run snuffed frustrated seed eliminated seeds
sides rallied
staged marketing
aired lambaste
shots side shots Nothing
staff nowhere nowhere chip
Boy grips Thunder
night Heat Potential
then
Heat
Heat
Heat
victory idle
Disappear?
New open Arena News flared
shelved condition
shelved shut
insisted burnish grit-and-spit limitations
leap recriminations
faithful witness
class tattoo irony
Morning debacle
alpha-male closed buts
road home
Center heartbreak heart pounding paying splinter
situations images
hard Patty choice
forget play hit pick
talking clock personnel
the disappearance of
team Phil Tyrone challenge
assistant average trips
occasions toughest shooters
system hand contract
guys guy
turnaround huddle
behind facing hands drained Parker
banks bigger not feel
pull illusions
came felt gave Commercial
hurts
vanquishing franchise
stunned celebrating movie
Gary Europe beyond clear
Curly ball
play chance
frothing Heaven Herald ‘breakfast’
dessert
unduly presumptuous sumptuously good breakfast
energy bit
tough lunch
defeat following survivor
Beating define doubt
worth loss
meaningless
identical
honestly growth hope Band-Aid
compete cynicism
grow positions
fabulous Rod doing guys
guys waste floor Heat
aging pin key
well ball tied
load ball
ball nice
ultimate gun ball wealth
Grew beanstalk crunchtime
uh-oh
beat moves ladder
opened squeezably
one-handers two back exhilaration
pulled down
blessed young early grow
flickered nice
fewer greatness
better best charge face
might beat inspiration
spark bloated beat annihilated column
immensely firmly fold
flip-flopper
flip-flopper
keen long material
old makeup
heading doesn’t-get-it-ness paid glory
[blame]
much Johnson stunk humiliation
anybody inconveniences change
respond career stature rules
principles model thing
ads Godzilla tired
worse beloved enigmatic heroic okey-doke
swore limp Paul
Closing drive anew
crutch killer
trail flat unfiltered
oft-complacent
leap grown pivotal physical hard
in ground our off glorious wish
court snowflakes sock-‘em
able intangibles battle end
franchise-record fast-break stops
run back critical
insists tonight
lines resemble staircase
point hinges view defining sorry
myself legs asserted done
guards silky sexy youth
‘chubby’
pitted schooling pile
death elders beauty peek
bull-rush not himself
fight push uncertain move
close owns members businesses
finances built plan appears
owners permission Honda
question Anaheim
disappear today.
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Dan Thomas-Glass is, unfortunately, a Warriors fan. His work has recently appeared in Little Red Leaves, Volt, Armed Cell, Try, and as part of the Poetic Labor Project. His third chapbook Kate & Sonia (in the months before our second daughter's birth) is forthcoming in early 2012 from the Little Red Leaves Textile Series. He edits With + Stand in the East San Francisco Bay Area.
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume 5 (2011): Disappearance
Jeff Harrison, “Breaking”
Jeff Harrison
Breaking
quickly glad,
the tiny here sickness
in wind out ripple many years
eye real in
green to breaking too
twofold and challenged to disappear
green to breaking too
twofold and challenged to disappear
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Jeff Harrison has publications from Writers Forum, MAG Press, Persistencia Press, White Sky Books, and Furniture Press. He has e-books from Blazevox, xPress(ed), Argotist Ebooks, and Chalk Editions. His poetry has appeared in An Introduction to the Prose Poem (Firewheel Editions), The Hay(na)ku Anthology Vol. II (Meritage Press), The Chained Hay(na)ku Project (Meritage Press), Sentence: a Journal of Prose Poetics, Otoliths, Xerography, Moria, NOON: journal of the short poem, Dusie, MiPOesias, Big Bridge, and elsewhere.
Jeff Harrison has publications from Writers Forum, MAG Press, Persistencia Press, White Sky Books, and Furniture Press. He has e-books from Blazevox, xPress(ed), Argotist Ebooks, and Chalk Editions. His poetry has appeared in An Introduction to the Prose Poem (Firewheel Editions), The Hay(na)ku Anthology Vol. II (Meritage Press), The Chained Hay(na)ku Project (Meritage Press), Sentence: a Journal of Prose Poetics, Otoliths, Xerography, Moria, NOON: journal of the short poem, Dusie, MiPOesias, Big Bridge, and elsewhere.
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume 5 (2011): Disappearance
Joan Harvey, “Sound of Machinery”
Joan Harvey
The Sound of Machinery Stopping
Her name is Delia. She is 43, part Chippewa, on her way to an ex-lover’s cabin. Not strong enough for the journey really. She plays piano, has been a social person, had had a beautiful daughter who died. Is a past tense. Delia waits for what will come through.
A strange biting in her hands. A noose over her tongue. The cabin where she is headed is a site of guilt. Years before Delia had betrayed its owner with another man.
A mark that speaks of death links her to all others afflicted. In the world of the body new tracings, new tracks of purple and red, holes into the skin, difficulties breathing. No longer can Delia take this landscape of the self for granted. Something else has come to grow there.
The illness which comes out of her or is joined to her transfigures, so she doesn’t know what is her, what is this other that remakes her body, redefines her energy fields?
On the other hand, Delia fits the cabin perfectly. Couchwise, but also fragrantly. Mingled odors of must, decay, old sunshine, blend and suit perfectly.
Delia loses one red shoe. And wonders what was she doing wearing such bright sneakers?
Rodents overrun the place, steal her food, leave their shit. Delia thinks to trap them, put them in a bag and place them in the freezer. In case of famine.
A mountain made of grayness and light.
Each morning Delia looks not for solace, but for signs. The phone rings – a wrong number. Delia is alone in a room. Her heart may or may not beat in the right place. The refrigerator is due for a cleaning. For lunch, toffee and broccoli.
Everything now comes in waves in differing forms - sometimes just sensation. Occasionally Delia lets herself open, falling into something deep and regular, great expansiveness. If only this could be maintained.
Degeneration into porno fantasies, her in the middle. Two men, not altogether straight. Hours and hours. And wants from the past – some child pleasure thing. It makes sense to just let go. Piling up the pillows, the head that cannot support itself. Weakness. As soon as she allows herself sleep, she cannot.
Breathe against anguish, against anxiety, breathe into the warmth where she shuts herself.
More, not to be said or imagined, but disgorged. The important thing is to make few plans and leave herself plenty of time. Work on the reassurance technique. Rid herself of the old nerve boxes. Don't get lazy, but be understanding. Don't waste time on advice.
Delia wants to lose her identity, bury it in the mud by the side of a sleep river, but as she covers it, Delia worries that it will be stolen and then she’ll have nothing. Delia digs it up again and carries it muddily on.
There is a pillow she pretends to talk to, but basically Delia thinks Delia is insane. Delia should be locked up. She can't bear this thought. She’ll die or scream. The screams have holes in them where moths and bugs fly through. Her teeth possibly rotting. And the ex-boyfriend of the cabin and his teeth. If he were here. Delia sits up in her sleep and says "Cherries, strawberries, and limes."
The mice are involved. When each drama is overturned, the noise of scurrying underneath. The articulation of each phrase is somehow unpleasant. She wishes for a return to muffles.
Washing her white night dress.
Delia is baffled, filled with pain sent down.
Wild geese hit the sky.
Seeds of death carried inside like her eggs.
Little hooks under the blood.
Press on past. Precipice. Until the only thing.
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Joan Harvey’s fiction, poems, and translations have appeared in numerous journals including recently Web Conjunctions, Drunken Boat, Smokelong Quarterly, Otoliths, and Danse Macabre. She thinks disappearance can be a practice, a fantasy, a necessity, or an art.
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume 5 (2011): Disappearance
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