Helen Lehndorf
A skull, a silk, a skulk
It was raining Japanese rain:
straight down and copious.
My Great-Grandmother always said:
Don't borrow trouble
which is good advice, but she
didn't say what to do if trouble
borrows you. Damn her for dying.
Here's the thing – if there is a hair
in my dinner, and if I cooked the dinner
(which, let's face it, is most nights)
I will just eat the hair. I will also eat
corn silks, spotty apples and furry cheese.
I have become a resigned person.
There was one day when you decided
to communicate in pairs of sonic screeches
so shrill I could feel my ear drums folding
and although I begged you to stop you
found it very amusing how agitated I was
becoming so you kept on doing it and there
came a point where I thought I might actually
kill you I might actually crush your skull in
the fridge door I might actually throw you
through a closed window but instead I fetched you
a very large bowl of ice-cream and a tiny tiny teaspoon
which made you silent for about seventeen minutes
which was long enough for me to get it together
again. Voilà.
While you were eating ice-cream I was
hiding in the toilet because
there is a lock on the door
and I can breathe and read
my big book of facts so I'll have
interesting things to say
at dinner parties.
I'm up to
collective nouns
right now,
like did you know
that a group
of foxes
is called a
skulk?
_____
1001 Questions About Roses
Moving, as in
a shift of the emotions,
the sad tang of what
is ahead, what got left.
1001 Questions About Roses
is the first library book I borrow
after moving house. I have a garden now.
This house creaks like an old boat
when the wind blows
and a ghost keeps unlatching the gate.
Worse, the rain falls silently
on the orange tiled roof.
Before I even find places
for our belongings, he has flattened
all the boxes and taken them to the dump,
as if we are here for good.
Shifting, as in
a change in perspective,
There is so much space, we lose each other
and wander from room to room, calling.
_____
Helen Lehndorf is a mother, teacher and poet who lives in Palmerston North, New Zealand. She has published widely in literary journals and anthologies. She experiments with words and photographs at www.stripysockstudio.com.
_____
RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume Three (2009): Immanence/ Imminence
_____
VOLUME SIX (2020): ARCHIVES ON FIRE
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2009
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November
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- VOLUME THREE (2009): Immanence / Imminence
- Editors, "Almost Nearly So"
- * * * FEATURING * * *
- "Baobab Tree: local knowledge / global politics"
- Obododimma Oha, "Embracing the Baobab Tree"
- Toyin Adepoju, "Ifa Divination & van Gogh"
- ‘Tunde Awosanmi, "Wole Soyinka’s Africa"
- Jen Bouchard, "The Essays of Suzanne Césaire"
- Peter Ciccariello, "3 Works"
- M. Neelika Jayawardane, "Life in Transit"
- Obiwu, "Ndebele’s Art of Redemption"
- Tom Savage, "3 Poems"
- * * * POEMS * * *
- Salvatore Attardo, "Columbus Poems"
- Emily Brandt, "Deep blue"
- Charles Freeland, "Units of Measurement"
- Geoffrey Gatza, "4 Poems"
- Ray Gonzalez, "4 Poems"
- Jeff Harrison, "Knots of Hilda Doolittle"
- Mary Kasimor, "a vase" & "xxxv"
- Penn Kemp, "Dream Sequins (i & ii)"
- Camille Martin, "double sonnets"
- Jonathan Minton, "4 Poems"
- Robert Mittenthal, "Memory Play" & "Severance"
- Kelly Moffett, "God of Water"
- Sheila Murphy, "5 Poems"
- Pamela Johnson Parker, "Narcissus: Narke"
- Mark Prejsnar, "transmetadata map"
- Michael Ruby, "Infinite Worlds"
- Karen Schubert, "Cutting Ties"
- * * * FICTIONS * * *
- Mark Jacobs, "Singing in a Foreign Land"
- Pierrino Mascarino, "Peril of the Miss Jenny"
- Robert Ready, "Her Infinite Variety"
- * * * FEATURING * * *
- "Myth, Erasure & Consequence: Selected Poems"
- Page Starzinger, "Myth, Erasure & Consequence"
- Regan Good, "The Rocking Horse"
- Carol Peters, "de Kooning, No Title"
- Shin Yu Pai, "requiescat"
- Mary Kaiser, "Gretel"
- Victoria Chang, "Man 4"
- Robert High Guard, "Giving Up Lent"
- M. Jan Bender, "Syrinx"
- Matt Miller, "Thrift"
- Jennifer Luebbers, "after the Lakota"
- * * * REVIEWS * * *
- Ailbhe Darcy, review: Zawacki's "Petals of Zero"
- Tod Edgerton, review: Harmon's "Quinnehtukqut"
- Roy Exley, review: Daive’s “Under the Dome”
- Crag Hill, review: Gizzi’s "New Depths"
- Susan Scarlata, review: Nakayasu's "Hurry Home"
- Jess Wigent, review: Greenfield's "Tracer"
- * * * ESSAYS * * *
- Hope Bernard, "Spaces of the Corseted Body"
- Erika M. Nelson, "Traumatic Traces"
- * * * FEATURING * * *
- "New Zealand Poetry & Poetics"
- Bryan Walpert, "Foreword"
- Shona-Ellen Barnett, "One for the Pukeko"
- Ross Brighton, "Poem"
- Jennifer Compton, "The Topography of Wellington"
- Jan FitzGerald, "Spider"
- Helen Lehndorf, "A skull" & "1001 Questions"
- Elizabeth Smither, "Lipstick stain on a poem"
- André Surridge, "Lunch in Prague"
- Tim Upperton, "Like smoke"
- Mercedes Webb-Pullman, "prime dream"
- * * * DIALOGUES * * *
- James Belflower, Anne Heide, Michael Martinez
- Jon Cotner & Andy Fitch, "Box Trick"
- * * * IMAGE-TEXTS * * *
- carlyle baker, "about to happen"
- John M. Bennett, "Poemages"
- Vernon Frazer, "Random Axis"
- Philip Meersman, “Multzumess”
- Philip Meersman, "Concreet gedicht"
- James Sanders, "Self-Portraits"
- * * * FEATURING * * *
- "Review Review"
- Jared Schickling, "Preface"
- Nate Pritts, "Review Review"
- John Bloomberg-Rissman, "Lighter Darker Bouquets”
- Mark Spitzer, "No Bullshit Reviews"
- Anon., "Response to Kentson #1"
- Christian Prozak, review: "Wine-Stained Notebook"
- Anon., "Response to Kentson #2"
- Christian Prozak, review: "Rimbaud, Double Life"
- Murat Nemet-Nejat, "A Frameless Review"
- Anon., "Response to Kentson #3"
- Christian Prozak, review: "Delta Blues"
- Anon., "Response to Kentson #4"
- Christian Prozak, review: "Pendulums of Euphoria"
- Anon., "Response to Kentson #5"
- Gina Myers, "How I Came to Review Books"
- Anon., "Response to Kentson #6"
- Murat Nemet-Nejat, "A Historical Postscript"
- Chuck Richardson, "Ketchup Stain on Page 87"
- Anon., "Response to Kentson #7"
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November
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Wednesday, November 25, 2009
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