Tim Upperton
Like smoke
you say a poem is nothing
but a crib with a dead baby inside
or a cage for animals extinct
in the wild the words pace
up and down up and down uselessly
walking the line and aren’t you tired
of that can’t you just let it be
different but it isn’t and you start
another poem about something
because some things are very serious
things you’ve lost for instance you wish
you still had them but you don’t
they’re gone that winter that girl
said yes and in her room it was so cold
the word lingered around her head
like smoke and how good that was
for a while and later she told you all
about her family in that town that one
day you thought you’d visit just drop
by and her father in jeans and workshirt
sitting there on the porch and a yellow
dog at his feet the both of them not exactly
pleased to see you but not displeased either
but she never mentioned a dog at least
you don’t think so and anyway you write
off a line that is about that losing things
I mean and missing them the girl I guess
and in a funny way her dad you never
quite met and the dog and you’re now
in the middle of you don’t know what
but you’re walking up the path and there
are hollyhocks and lavender it must
be summer and there she is opening
the screen-door and stopping suddenly
she’s seen you but it’s all right and the rest
will come because that’s how it goes
one line then another one and this one
it may change of course this one says
the coloured rags of our remembering
and you wonder did I write that did I
read it somewhere is it mine or someone
else’s when it needs my mouth
and your ears and the brain and heart
of both of us it is I see now a pentameter
and yes iambic too I am becoming
the flutter in the blue baby’s chest
_____
Earlier version published in Takahe 60, 2006
_____
Tim Upperton has poetry and fiction published or forthcoming in Agni (US), Best New Zealand Poems 2008, Bravado, Dreamcatcher (UK), Landfall, New Zealand Books, New Zealand Listener, North & South, Sport, and Takahe. His first poetry collection, A House on Fire, was published by Steele-Roberts in 2009.
_____
RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume Three (2009): Immanence/ Imminence
_____
VOLUME SIX (2020): ARCHIVES ON FIRE
-
▼
2009
(99)
-
▼
November
(99)
- VOLUME THREE (2009): Immanence / Imminence
- Editors, "Almost Nearly So"
- * * * FEATURING * * *
- "Baobab Tree: local knowledge / global politics"
- Obododimma Oha, "Embracing the Baobab Tree"
- Toyin Adepoju, "Ifa Divination & van Gogh"
- ‘Tunde Awosanmi, "Wole Soyinka’s Africa"
- Jen Bouchard, "The Essays of Suzanne Césaire"
- Peter Ciccariello, "3 Works"
- M. Neelika Jayawardane, "Life in Transit"
- Obiwu, "Ndebele’s Art of Redemption"
- Tom Savage, "3 Poems"
- * * * POEMS * * *
- Salvatore Attardo, "Columbus Poems"
- Emily Brandt, "Deep blue"
- Charles Freeland, "Units of Measurement"
- Geoffrey Gatza, "4 Poems"
- Ray Gonzalez, "4 Poems"
- Jeff Harrison, "Knots of Hilda Doolittle"
- Mary Kasimor, "a vase" & "xxxv"
- Penn Kemp, "Dream Sequins (i & ii)"
- Camille Martin, "double sonnets"
- Jonathan Minton, "4 Poems"
- Robert Mittenthal, "Memory Play" & "Severance"
- Kelly Moffett, "God of Water"
- Sheila Murphy, "5 Poems"
- Pamela Johnson Parker, "Narcissus: Narke"
- Mark Prejsnar, "transmetadata map"
- Michael Ruby, "Infinite Worlds"
- Karen Schubert, "Cutting Ties"
- * * * FICTIONS * * *
- Mark Jacobs, "Singing in a Foreign Land"
- Pierrino Mascarino, "Peril of the Miss Jenny"
- Robert Ready, "Her Infinite Variety"
- * * * FEATURING * * *
- "Myth, Erasure & Consequence: Selected Poems"
- Page Starzinger, "Myth, Erasure & Consequence"
- Regan Good, "The Rocking Horse"
- Carol Peters, "de Kooning, No Title"
- Shin Yu Pai, "requiescat"
- Mary Kaiser, "Gretel"
- Victoria Chang, "Man 4"
- Robert High Guard, "Giving Up Lent"
- M. Jan Bender, "Syrinx"
- Matt Miller, "Thrift"
- Jennifer Luebbers, "after the Lakota"
- * * * REVIEWS * * *
- Ailbhe Darcy, review: Zawacki's "Petals of Zero"
- Tod Edgerton, review: Harmon's "Quinnehtukqut"
- Roy Exley, review: Daive’s “Under the Dome”
- Crag Hill, review: Gizzi’s "New Depths"
- Susan Scarlata, review: Nakayasu's "Hurry Home"
- Jess Wigent, review: Greenfield's "Tracer"
- * * * ESSAYS * * *
- Hope Bernard, "Spaces of the Corseted Body"
- Erika M. Nelson, "Traumatic Traces"
- * * * FEATURING * * *
- "New Zealand Poetry & Poetics"
- Bryan Walpert, "Foreword"
- Shona-Ellen Barnett, "One for the Pukeko"
- Ross Brighton, "Poem"
- Jennifer Compton, "The Topography of Wellington"
- Jan FitzGerald, "Spider"
- Helen Lehndorf, "A skull" & "1001 Questions"
- Elizabeth Smither, "Lipstick stain on a poem"
- André Surridge, "Lunch in Prague"
- Tim Upperton, "Like smoke"
- Mercedes Webb-Pullman, "prime dream"
- * * * DIALOGUES * * *
- James Belflower, Anne Heide, Michael Martinez
- Jon Cotner & Andy Fitch, "Box Trick"
- * * * IMAGE-TEXTS * * *
- carlyle baker, "about to happen"
- John M. Bennett, "Poemages"
- Vernon Frazer, "Random Axis"
- Philip Meersman, “Multzumess”
- Philip Meersman, "Concreet gedicht"
- James Sanders, "Self-Portraits"
- * * * FEATURING * * *
- "Review Review"
- Jared Schickling, "Preface"
- Nate Pritts, "Review Review"
- John Bloomberg-Rissman, "Lighter Darker Bouquets”
- Mark Spitzer, "No Bullshit Reviews"
- Anon., "Response to Kentson #1"
- Christian Prozak, review: "Wine-Stained Notebook"
- Anon., "Response to Kentson #2"
- Christian Prozak, review: "Rimbaud, Double Life"
- Murat Nemet-Nejat, "A Frameless Review"
- Anon., "Response to Kentson #3"
- Christian Prozak, review: "Delta Blues"
- Anon., "Response to Kentson #4"
- Christian Prozak, review: "Pendulums of Euphoria"
- Anon., "Response to Kentson #5"
- Gina Myers, "How I Came to Review Books"
- Anon., "Response to Kentson #6"
- Murat Nemet-Nejat, "A Historical Postscript"
- Chuck Richardson, "Ketchup Stain on Page 87"
- Anon., "Response to Kentson #7"
-
▼
November
(99)
Wednesday, November 25, 2009
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment