Jennifer Compton
The Topography of Wellington
There is a darkness here: and also an itinerant rainbow
strolling like a twister with one lazy finger dipped in water.
There is a harbour: because of the rainbow there may be
a glory, like a saint's halo, which is an optical effect. Glory.
There are six kereru in Orangi-Kaupapa Rd feeding on miro:
or puriru, tawa, tairare. These birds are almost too indolent
to fly, the telephone wires zig-zag under their exiguous feet.
As they pause - in their top heavy survey of topography, let
us consider our understanding of living above. Above contains
below. Look up to the hills and sky, look down the way a river
runs. You are having it both ways now. The sun seeks you out.
In the deep of night before dawn the wind and the rain blow in.
Look down into this glittering city, high on your slippery hill and
shrug. Would they have called it View Rd if it didn't have a view?
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Jennifer Compton was born in NZ in 1949 and now lives in Australia. She is a poet and playwright who also writes prose. Recent work has been published in Takahe, Poetry NZ and Bravado (NZ); Quadrant, Cordite Poetry Review, and Famous Reporter (Australia); Queen's Quarterly (Canada); and Poetry Ireland Review and Poetry London.
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume Three (2009): Immanence/ Imminence
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VOLUME SIX (2020): ARCHIVES ON FIRE
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2009
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November
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- VOLUME THREE (2009): Immanence / Imminence
- Editors, "Almost Nearly So"
- * * * FEATURING * * *
- "Baobab Tree: local knowledge / global politics"
- Obododimma Oha, "Embracing the Baobab Tree"
- Toyin Adepoju, "Ifa Divination & van Gogh"
- ‘Tunde Awosanmi, "Wole Soyinka’s Africa"
- Jen Bouchard, "The Essays of Suzanne Césaire"
- Peter Ciccariello, "3 Works"
- M. Neelika Jayawardane, "Life in Transit"
- Obiwu, "Ndebele’s Art of Redemption"
- Tom Savage, "3 Poems"
- * * * POEMS * * *
- Salvatore Attardo, "Columbus Poems"
- Emily Brandt, "Deep blue"
- Charles Freeland, "Units of Measurement"
- Geoffrey Gatza, "4 Poems"
- Ray Gonzalez, "4 Poems"
- Jeff Harrison, "Knots of Hilda Doolittle"
- Mary Kasimor, "a vase" & "xxxv"
- Penn Kemp, "Dream Sequins (i & ii)"
- Camille Martin, "double sonnets"
- Jonathan Minton, "4 Poems"
- Robert Mittenthal, "Memory Play" & "Severance"
- Kelly Moffett, "God of Water"
- Sheila Murphy, "5 Poems"
- Pamela Johnson Parker, "Narcissus: Narke"
- Mark Prejsnar, "transmetadata map"
- Michael Ruby, "Infinite Worlds"
- Karen Schubert, "Cutting Ties"
- * * * FICTIONS * * *
- Mark Jacobs, "Singing in a Foreign Land"
- Pierrino Mascarino, "Peril of the Miss Jenny"
- Robert Ready, "Her Infinite Variety"
- * * * FEATURING * * *
- "Myth, Erasure & Consequence: Selected Poems"
- Page Starzinger, "Myth, Erasure & Consequence"
- Regan Good, "The Rocking Horse"
- Carol Peters, "de Kooning, No Title"
- Shin Yu Pai, "requiescat"
- Mary Kaiser, "Gretel"
- Victoria Chang, "Man 4"
- Robert High Guard, "Giving Up Lent"
- M. Jan Bender, "Syrinx"
- Matt Miller, "Thrift"
- Jennifer Luebbers, "after the Lakota"
- * * * REVIEWS * * *
- Ailbhe Darcy, review: Zawacki's "Petals of Zero"
- Tod Edgerton, review: Harmon's "Quinnehtukqut"
- Roy Exley, review: Daive’s “Under the Dome”
- Crag Hill, review: Gizzi’s "New Depths"
- Susan Scarlata, review: Nakayasu's "Hurry Home"
- Jess Wigent, review: Greenfield's "Tracer"
- * * * ESSAYS * * *
- Hope Bernard, "Spaces of the Corseted Body"
- Erika M. Nelson, "Traumatic Traces"
- * * * FEATURING * * *
- "New Zealand Poetry & Poetics"
- Bryan Walpert, "Foreword"
- Shona-Ellen Barnett, "One for the Pukeko"
- Ross Brighton, "Poem"
- Jennifer Compton, "The Topography of Wellington"
- Jan FitzGerald, "Spider"
- Helen Lehndorf, "A skull" & "1001 Questions"
- Elizabeth Smither, "Lipstick stain on a poem"
- André Surridge, "Lunch in Prague"
- Tim Upperton, "Like smoke"
- Mercedes Webb-Pullman, "prime dream"
- * * * DIALOGUES * * *
- James Belflower, Anne Heide, Michael Martinez
- Jon Cotner & Andy Fitch, "Box Trick"
- * * * IMAGE-TEXTS * * *
- carlyle baker, "about to happen"
- John M. Bennett, "Poemages"
- Vernon Frazer, "Random Axis"
- Philip Meersman, “Multzumess”
- Philip Meersman, "Concreet gedicht"
- James Sanders, "Self-Portraits"
- * * * FEATURING * * *
- "Review Review"
- Jared Schickling, "Preface"
- Nate Pritts, "Review Review"
- John Bloomberg-Rissman, "Lighter Darker Bouquets”
- Mark Spitzer, "No Bullshit Reviews"
- Anon., "Response to Kentson #1"
- Christian Prozak, review: "Wine-Stained Notebook"
- Anon., "Response to Kentson #2"
- Christian Prozak, review: "Rimbaud, Double Life"
- Murat Nemet-Nejat, "A Frameless Review"
- Anon., "Response to Kentson #3"
- Christian Prozak, review: "Delta Blues"
- Anon., "Response to Kentson #4"
- Christian Prozak, review: "Pendulums of Euphoria"
- Anon., "Response to Kentson #5"
- Gina Myers, "How I Came to Review Books"
- Anon., "Response to Kentson #6"
- Murat Nemet-Nejat, "A Historical Postscript"
- Chuck Richardson, "Ketchup Stain on Page 87"
- Anon., "Response to Kentson #7"
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November
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