VOLUME SIX (2020): ARCHIVES ON FIRE
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2009
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November
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- VOLUME THREE (2009): Immanence / Imminence
- Editors, "Almost Nearly So"
- * * * FEATURING * * *
- "Baobab Tree: local knowledge / global politics"
- Obododimma Oha, "Embracing the Baobab Tree"
- Toyin Adepoju, "Ifa Divination & van Gogh"
- ‘Tunde Awosanmi, "Wole Soyinka’s Africa"
- Jen Bouchard, "The Essays of Suzanne Césaire"
- Peter Ciccariello, "3 Works"
- M. Neelika Jayawardane, "Life in Transit"
- Obiwu, "Ndebele’s Art of Redemption"
- Tom Savage, "3 Poems"
- * * * POEMS * * *
- Salvatore Attardo, "Columbus Poems"
- Emily Brandt, "Deep blue"
- Charles Freeland, "Units of Measurement"
- Geoffrey Gatza, "4 Poems"
- Ray Gonzalez, "4 Poems"
- Jeff Harrison, "Knots of Hilda Doolittle"
- Mary Kasimor, "a vase" & "xxxv"
- Penn Kemp, "Dream Sequins (i & ii)"
- Camille Martin, "double sonnets"
- Jonathan Minton, "4 Poems"
- Robert Mittenthal, "Memory Play" & "Severance"
- Kelly Moffett, "God of Water"
- Sheila Murphy, "5 Poems"
- Pamela Johnson Parker, "Narcissus: Narke"
- Mark Prejsnar, "transmetadata map"
- Michael Ruby, "Infinite Worlds"
- Karen Schubert, "Cutting Ties"
- * * * FICTIONS * * *
- Mark Jacobs, "Singing in a Foreign Land"
- Pierrino Mascarino, "Peril of the Miss Jenny"
- Robert Ready, "Her Infinite Variety"
- * * * FEATURING * * *
- "Myth, Erasure & Consequence: Selected Poems"
- Page Starzinger, "Myth, Erasure & Consequence"
- Regan Good, "The Rocking Horse"
- Carol Peters, "de Kooning, No Title"
- Shin Yu Pai, "requiescat"
- Mary Kaiser, "Gretel"
- Victoria Chang, "Man 4"
- Robert High Guard, "Giving Up Lent"
- M. Jan Bender, "Syrinx"
- Matt Miller, "Thrift"
- Jennifer Luebbers, "after the Lakota"
- * * * REVIEWS * * *
- Ailbhe Darcy, review: Zawacki's "Petals of Zero"
- Tod Edgerton, review: Harmon's "Quinnehtukqut"
- Roy Exley, review: Daive’s “Under the Dome”
- Crag Hill, review: Gizzi’s "New Depths"
- Susan Scarlata, review: Nakayasu's "Hurry Home"
- Jess Wigent, review: Greenfield's "Tracer"
- * * * ESSAYS * * *
- Hope Bernard, "Spaces of the Corseted Body"
- Erika M. Nelson, "Traumatic Traces"
- * * * FEATURING * * *
- "New Zealand Poetry & Poetics"
- Bryan Walpert, "Foreword"
- Shona-Ellen Barnett, "One for the Pukeko"
- Ross Brighton, "Poem"
- Jennifer Compton, "The Topography of Wellington"
- Jan FitzGerald, "Spider"
- Helen Lehndorf, "A skull" & "1001 Questions"
- Elizabeth Smither, "Lipstick stain on a poem"
- André Surridge, "Lunch in Prague"
- Tim Upperton, "Like smoke"
- Mercedes Webb-Pullman, "prime dream"
- * * * DIALOGUES * * *
- James Belflower, Anne Heide, Michael Martinez
- Jon Cotner & Andy Fitch, "Box Trick"
- * * * IMAGE-TEXTS * * *
- carlyle baker, "about to happen"
- John M. Bennett, "Poemages"
- Vernon Frazer, "Random Axis"
- Philip Meersman, “Multzumess”
- Philip Meersman, "Concreet gedicht"
- James Sanders, "Self-Portraits"
- * * * FEATURING * * *
- "Review Review"
- Jared Schickling, "Preface"
- Nate Pritts, "Review Review"
- John Bloomberg-Rissman, "Lighter Darker Bouquets”
- Mark Spitzer, "No Bullshit Reviews"
- Anon., "Response to Kentson #1"
- Christian Prozak, review: "Wine-Stained Notebook"
- Anon., "Response to Kentson #2"
- Christian Prozak, review: "Rimbaud, Double Life"
- Murat Nemet-Nejat, "A Frameless Review"
- Anon., "Response to Kentson #3"
- Christian Prozak, review: "Delta Blues"
- Anon., "Response to Kentson #4"
- Christian Prozak, review: "Pendulums of Euphoria"
- Anon., "Response to Kentson #5"
- Gina Myers, "How I Came to Review Books"
- Anon., "Response to Kentson #6"
- Murat Nemet-Nejat, "A Historical Postscript"
- Chuck Richardson, "Ketchup Stain on Page 87"
- Anon., "Response to Kentson #7"
M. Jan Bender, "Syrinx"
M. Jan Bender
Syrinx
I quest for a rapt eye, an accurate voice,
a cavity in long bones resonating,
in short, irregular bones—the spine pipe, wind
pipe, lips to larynx, vocal folds that vibrate
air, cords, strings, percussive winds gaining lift
like wings birds depend on. I wish I’d been that cold
nymph turned to reed—rooted, cut—who created pitch
from her body, from the stem of her torso,
a range of tones from mixed lengths of cane, the syrinx
birds depend on.
With knotted bonding trills that ring
inside flight calls,
vying males fight for that eye
of heaven. (Only birds close their eyes at death.)
I quest for open,
foramen, for words sounding
the culm, the body—whole, cut by a lover.
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M. Jan Bender’s work has appeared in Cimarron Review, RUNES, 580 Split, Good Foot, Salzburg Poetry Review and ORIGIN. She is currently pursuing her MFA at Warren Wilson MFA Program for Writers.
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RECONFIGURATIONS: A Journal for Poetics & Poetry / Literature & Culture, http://reconfigurations.blogspot.com/, ISSN: 1938-3592, Volume Three (2009): Immanence/ Imminence
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